Wednesday 13 May 2009

Canada House Gallery, Nunavut – Our Land






1999 – 2009,An exhibition celebrating the 10th Anniversary of Canada's newest territory, Inuit Sculpture Contemporary Photography

The North is an essential part of Canada's identity and an area of growing importance internationally. Northerners, including the residents of Nunavut, have brought a number of emerging issues to the world's attention: the dangers and challenges posed by climate change; the need for sustainable economic development; and the importance of sharing experiences and knowledge with our circumpolar neighbors and the world. Canada's policy on the North, the Northern Strategy, responds to these challenges.
Two dates are important in Nunavut's modern history: July 9, 1993 and April 1, 1999. On July 9, 1993, the Canadian Parliament made the Nunavut Lands Claim Agreement effective. This was an important milestone in Canada's relationship with aboriginal peoples. On April 1, 1999, the government and territory of Nunavut were formally established. This fulfilled a key obligation under the Nunavut Land Claims Agreement and is an important landmark in Canada's constitutional history. While Nunavut Day is celebrated every year on July 9th, special attention is paid to April 1, 2009 since it marks the 10th anniversary of Canada's newest territory.

This was a fantastic exhibition really enjoyed it, But reading up about it after not all is rosie. Same old story government gives them what they want, knowing full well if they dump it on their laps and let them get on with it. They will stuggle and initially make a dogs ear of it, because they don’t have the experience and knowledge to run things properly so the Canadian government has to step in and still control. Not good.

Article about Nunavut
‘Nunavut was created before its time, he says: Inuit were uneducated and unprepared in 1999 to run a territorial government.’ Jack Anawak

Nunavut does not even fully control its annual budget: more than 90% of its billion dollar operating revenues come straight from Ottawa. The Crown still collects most of Nunavut’s resource revenues, and until the right to manage resources is devolved to the territory – likely during the next few decades – Ottawa retains the accruing royalties and taxes.
Canada’s largest land claim; before Nunavut, there was the Nunavut Land Claims Agreement, the largest aboriginal land-claims settlement in Canadian history. It came into force on July 9 1993, a date now celebrated throughout the territory as Nunavut Day. However, the land claims did not actually create the new territory. That was accomplished with a separate piece of legislation, the Nunavut Act, which came into force on April1, 1999.
The Nunavut Land Claims Agreement sets out the terms of more than a billion dollars in federal payments, as well as land-use rights specific to Inuit (the right to harvest wildlife and limited rights to subsurface minerals and oil and gas, among others), in exchange for which the Inuit of Nunavut surrendered their aboriginal title and claims to lands and waters.
Nunavut’s Public Government; Unlike the Nunavut Land Claims Agreement, which confers rights on Inuit alone, the Nunavut government represents all residents of the territory, known as Nunavummiut. But because the population is 85% Inuit, the agreement sets out strict Inuit employment goals. The object is to increase the number of Inuit employed by the Nunavut government to a level that reflects the ratio of Inuit within the territory’s population. An early target for April 1 1999 was 50% Inuit employment. The government did not reach that goal until 2007. Indeed, even full employment remains a distant goal. The territory’s bureaucracy is still only 80% staffed.
Evolution of devolution; The Federal Minister of Indian Affairs and Northern Development is responsible for the administration, control and management of land, water and resources in Nunavut, including oil and gas. But that will eventually change as those responsibilities – and the management of any related environmental issues – are transferred to the Government of Nunavut in a devolution process currently under way. But exactly when those province-like powers will change hands is unclear. ………… no deadline was proposed, and at least one item has been left off the table for now: offshore resources. Although Nunavut leaders have been pushing to include it, Ottawa is not yet ready to discuss transferring jurisdictional authority over seabed oil and gas in Nunavut’s surrounding waters.
What is clear from a consultant’s report released in June 2007 is that Nunavut has neither the human capacity nor the expertise to handle devolution. Article by Lisa Gregoire

Chuquai Billy ‘An American Werewolf in London’



'Join the Native American comedian for an hour of sharp observations on reservation life,First Nations experience of American and European cities, and his peculiar take on current affairs. Chuquai combines comedy and music with that unique Native American way of interpreting the world.'Soho Theatre

"Had to go see this must be a first a Native comedian in London, was curious about how the English would react to him if they would even get reservasion jokes? It was the Americans in he audience that were doing the laughing. I thought he was going to be a lot more political seemed to be playing it very safe."

Picasso: Challenging the Past


An old favourite Picasso, I have seen alot in the Barcelona Picasso Museum a few years ago. But there was one called 'The Musketeer' not seen it before think that this is my new favourite. Lovely very simple.

The National Gallery Costume show ‘Transformations’






May8 by 3rd yr Designers A collaboration of WCA Costume Team 3rd Yr Costume Design Students with the National Gallery. Makeup by Amanda Rudkin & Megan DeGreef from London College of Fashion

Tuesday 12 May 2009

Jenny Tiramani Elizabethan Ruffs






Jenny is a dying breed, a rare gem in the crown of Elizabethan dress. This was a class on how to make ruffs historically. Fantastic. It's nice for the students to see the historical method compared with the theatrical method.

National Gallery Costume Show ‘The Prince and the Showgirl ’






May 1, 3rd Yr Costume interpretation students showing their work at the National Portrait Gallery.May 09 A Collaboration of WCA Costume Team & 3rd Yr Costume Interpretation Students with the National Gallery.

Hair & Wigs Eileen Newton WCA,makeup by Alice Kelly,Fran Collins from LCF
http://news.ntv.ru/159334/

Tuesday 5 May 2009

Sun Dogs Performance Final Cut


Thank you so much for all thier hard work and dedication

Sun Dogs Performance a collaborational, multimedia, site-specific performance. The piece will reinterpret through the use of Butoh, a mashup of the Sun Dance ceremony & Legend of the Raven Catching the Sun of the North American Natives. Using the human body as a projection surface to reflect and distort light this piece will create a visual dialogue between the dancers’ bodies. The soundscape will have live Middle Eastern drumming.

Costume & Prop design & Interpretation: Eileen Newton Costume Interpreter (VL & Technician at WCA) & currently studying MA in VLP at WCA
Direction & Set design: Sarah McLaughlin is a freelance theatre-practitioner and visual artist & currently studying MA in VLP at WCA
Light and projection design: Emily Bailey (video installation artist) & currently studying MA in Sculpture at WCA
Choreography: Lorraine Smith founder of Silversmith Performance Company. She trained in Butoh.
Umut Uysal, Drummer
Roberta Vaz as the Raven
Laura Gubbins as the Eagle
Teba Gomez as the Bear
Anne Maarit as Orca (Killer Whale)
Olivia Velle as the Wolf

Monday 4 May 2009

Prayer Flag Project


Come and be involved with a truly global, communal and collaborative project!
I am devising an installation that will use elements from the Sundance Ceremony of the Native North Americans.
Taking inspiration from the idea of prayer bundles, central to this ceremony, as well as Tibetan prayer flags, both of which are used by the cultures to pray for the well-being of their communities. I plan to ask people from all walks of life and every country to get involved by making their own personal prayer flag.
The idea is that it can be decorated in any way, with a message or a picture containing some pearl of wisdom or even a prayer. They can be sewn, printed, painted or whatever takes your fancy.
So spread the word lets see how far afield we can involve people with this project!
Please use a square piece of fabric, roughly measuring eight inches by eight inches. Use any scrap of fabric, maybe even from an old shirt or pair of trousers! Let’s be environmentally aware and green about it.
Once you have completed the pieces of fabric and sent them to me, I will incorporate them into a mural based on a ‘Tree of Life’.
The idea is to make this a truly global piece of work. Once you have finished it please send it to the address below:
Eileen Newton, Costume Dept, Merton Hall RD, Wimbledon College of Art (University of the Arts London), Wimbledon, London, SW19 3QA, England

Sunday 3 May 2009

Sun Dogs







The Theatre Block, Wimbledon College of Art, Merton Hall Road, Wimbledon, London, SW19 3QA,

Fish Girl



Performance installation by Jee-Hyun Kwun

Bath Fashion Museum




Bath Assembly Rooms; Fashion Museum Bennett St, Bath,
‘Performance to Camera’, Moving image art installations by two leading contemporary practitioners to highlight the theme of performance to camera. Last pic is an original evening dress worn by Margot Fonteyn after a triumphant performance in 1949. Also Bill Gibb, British fashion designer from the 70s, and ‘Dresses from History’,Queen Victoria’s day dress, How short was she? The museum has had a big switch around and there wasn’t much period costume on display hence the new name 'Fashion Museum' instead of the old 'Costume Museum', shame.

P#001



Solo Performance Devised & Written by Daphne Ioanna Giannoulatou, WCA Lecture Theatre, 19:15

Don’t Feel Free

WCA Lectre Theatre, Merton Hall Rd, Wimbledon, SW19 3PR, Solo Performance Written & Devised by Martina Sacchetti, MA VLP, 6pm I really liked this performance very minimal set, simple, well rehearsed & executed interaction of the projections and the live body . Martinas’ voice sounded much older and had a dream like quality to it, very calming also really liked the music she was talking over. Fantastic

Forced Entertainment: Void Story


Spill Festival of Performance
Text, Images & Direction Tim Etchells, Performers, Robin Arthur, Richard Lowdon, Cathy Naden, and Terry O’Connor, Design Richard Lowdon, Sound & Music John Avery, Lighting Nigel Edwards, Production Ray Rennie and Elb Hall
A belingering pair of protagonists take a rollercoaster ride through the decimated remains of contempory culture in this bleak and comical modern fable. Void Story is performed on stage as a radio play with the actors doing the voices and making sound affects. Behind them a series of projected images show the storyboard of an impossible movie version of ‘Tim Etchells’ unsettling text.

Quite liked this, reminded me of when I was younger at home telling stories to my younger siblings. Doing all the sound effects. It’s like sitting behind the scenes of a radio show only there is also a screen with a collage of imagery.